photo by Bertrand Delous.JPG

Riley Watts is an artist in Portland, Maine.  His work primarily focuses on the interactions of dance, psychology, specializing in embodied thinking practice and the examination of consciousness through movement.  Riley has traveled extensively for teaching, performing, and researching, and is now happily based in his home state of Maine.    

He received his early training in Bangor, Maine in competitive gymnastics followed by classical ballet at Thomas School of Dance under Ivy Forrest.  He went on to study dance at the Walnut Hill School for the Arts and later received a BFA in Dance from The Juilliard School (dir. Lawrence Rhodes), where he won a Princess Grace Award for Excellence in Modern Dance in 2006.  Since 2010 he has worked primarily with choreographer William Forsythe and The Forsythe Company, having lived and worked in Frankfurt, Germany until the company's closure in 2015.  Prior to The Forsythe Company, Riley danced for the Netherlands Dance Theater 2, Bern Ballet, and Cedar Lake Contemporary Ballet. 

He has danced in the original casts of numerous world premiere ballets by choreographers William Forsythe,  Jiri Kylian,  Alexander Ekman,  Marco Goecke, Johan Inger, and Lightfoot Leon, as well as performing repertory from many prolific choreographers, including Ohad Naharin, Hans Van Manen, and Aszure Barton.  He has toured extensively to theaters and festivals across the USA, Europe, Asia, South America, and Australia, was invited to perform alongside Sylvie Guillem on her Life in Progress farewell tour, where he danced William Forsythe’s DUO2015 with Brigel Gjoka, which earned them the 2015 Positano Prize for Contemporary Dancers of the Year, Italy.

Riley is frequently invited to teach in schools, companies, and research platforms around the world, and most recently in the USA as a Visiting Artist at Duke University, Princeton University, Colby College, University of Illinois at Champaign Urbana, The Hartt School, and The Juilliard School.  He has held Dance Thinking research weeks at STRUT Dance (Perth), New Dialect (Nashville), and Gibney Dance (NYC), and Bates Dance Festival (Maine).

In addition to performing in major theaters around the world, such as Sydney Opera House, Sadlers Wells (London), and Brooklyn Academy of Music, Riley has performed in fine art spaces such as Philadelphia Museum of Art, Los Angeles County Museum of Art, Museum of Fine Arts (Boston), and SPACE (Portland, Maine).

As a maker and choreographer, Riley has created performance works Veil i (Doppelganger Dance Collective), Thinking Space i (Museum of Fine Arts, Boston), 2 Thinking Rooms (TempoArt Conference, Portland), Points Beginning (Bangor Ballet), and Tonight’s Pattern i, ii, iii (Bates Dance Festival Gala).  His choreographic work focuses on the psychology of improvised movement and the hyper articulate body.  

From 2011-2014, he was a Dance Engaging Science Associate Researcher with Motion Bank (Frankfurt) and collaborated with neuroscientists on experiment design, motion and data capture, and public engagements in the UK, Germany, and Australia. He has co-published research for Frontiers in Human Neuroscience with Dr. Bettina Blaesing (Bielefeld) and dance artist and theorist Elizabeth Waterhouse, and is the coauthor of a children’s book “Where’s Your Creativity?” with Dr. Aaron Rosen for Tate Publishing, London.  

He is on the Advisory committee for the Bates Dance Festival, on faculty at the Bangor Ballet, and a Dance and Performance Advisor for the SPACE in Portland, Maine.